It was as I suspected. More editing was required.
This time, I was sent the formatted .pdf for review. Lo and behold, I found a handful of tiny errors that had slipped through the first billion edits. (Seriously, was I reading it with my eyes shut the entire time??)
Instead of marking up the .pdf with comments, this time I had to note them down in what was called an errata. Basically, I typed the page number, a short note of what needed fixed in parenthesis, the offending sentence or paragraph and what the correct version should read, with the new bits in a red font.
Once again, I was grateful for writing such a short book. Imagine how many errors there would have been in a longer one. (I’m looking at you, City and Shadow.)
What happens next?
This was my penultimate chance to find errors. My next and final chance will be in the actual physical copy! Yes, my publishers are going to sent me a printed proof to read and I’ll get to hold it in my hands!
At some point after this, I’ll get to work with the designer to create a cover. This is probably the part I’m looking forward to most. Creating the perfect cover was a major factor in why I decided to submit the books to the publisher I did, as I really like their previous examples and their approach in terms of working with the author.
Talking of images, the girl above is very close to how I picture Venom – except Venom probably looks a little more ruthless and she’ll have a ton of spiders with her.
Anything else happening?
Not really. I’m balancing the day job with writing, but I’m constantly plotting for the next novel. I also have a few works in progress, so we’ll see if I can make anything of those.